搜索
热搜: music
门户 Wiki Wiki History view content

Art and literature of the Byzantine Empire

2014-9-16 23:26| view publisher: amanda| views: 1004| wiki(57883.com) 0 : 0

description: Main articles: Byzantine art and Byzantine literatureSee also: Byzantine music and Byzantine dressSurviving Byzantine art is mostly religious and with exceptions at certain periods is highly conventio ...
Main articles: Byzantine art and Byzantine literature
See also: Byzantine music and Byzantine dress
Surviving Byzantine art is mostly religious and with exceptions at certain periods is highly conventionalised, following traditional models that translate carefully controlled church theology into artistic terms. Painting in fresco, illuminated manuscripts and on wood panel and, especially in earlier periods, mosaic were the main media, and figurative sculpture very rare except for small carved ivories. Manuscript painting preserved to the end some of the classical realist tradition that was missing in larger works.[183] Byzantine art was highly prestigious and sought-after in Western Europe, where it maintained a continuous influence on medieval art until near the end of the period. This was especially so in Italy, where Byzantine styles persisted in modified form through the 12th century, and became formative influences on Italian Renaissance art. But few incoming influences affected Byzantine style. By means of the expansion of the Eastern Orthodox church, Byzantine forms and styles spread to all the Orthodox world and beyond.[184] Influences from Byzantine architecture, particularly in religious buildings, can be found in diverse regions from Egypt and Arabia to Russia and Romania.
In Byzantine literature, four different cultural elements are recognised: the Greek, the Christian, the Roman, and the Oriental. Byzantine literature is often classified in five groups: historians and annalists, encyclopaedists (Patriarch Photios, Michael Psellus, and Michael Choniates are regarded as the greatest encyclopaedists of Byzantium) and essayists, and writers of secular poetry. The only genuine heroic epic of the Byzantines is the Digenis Acritas. The remaining two groups include the new literary species: ecclesiastical and theological literature, and popular poetry.[185]
Of the approximately two to three thousand volumes of Byzantine literature that survive, only three hundred and thirty consist of secular poetry, history, science and pseudo-science.[185] While the most flourishing period of the secular literature of Byzantium runs from the 9th to the 12th century, its religious literature (sermons, liturgical books and poetry, theology, devotional treatises, etc.) developed much earlier with Romanos the Melodist being its most prominent representative.[186]
Government and bureaucracy
See also: Byzantine aristocracy and bureaucracy
In the Byzantine state, the emperor became the sole and absolute ruler, and his power was regarded as having divine origin.[187] The Senate ceased to have real political and legislative authority but remained as an honorary council with titular members. By the end of the 8th century, a civil administration focused on the court was formed as part of a large-scale consolidation of power in the capital (the rise to pre-eminence of the position of sakellarios is related to this change).[188] The most important administrative reform, which probably started in the mid-7th century, was the creation of themes, where civil and military administration was exercised by one person, the strategos.[189]
Map of Byzantine Empire showing the themes in circa 650
The themes, c. 650
Map of Byzantine Empire showing the themes in circa 950
The themes, c. 950
Despite the occasionally derogatory use of the terms "Byzantine" and "Byzantinism", the Byzantine bureaucracy had a distinct ability for reconstituting itself in accordance with the Empire's situation. The elaborate system of titulature and precedence, which gave the court prestige and influence, makes the imperial administration look like an ordered bureaucracy to modern observers.[who?] Officials were arranged in strict order around the emperor, and depended upon the imperial will for their ranks. There were also actual administrative jobs, but authority could be vested in individuals rather than offices.[190]
In the 8th and 9th centuries, civil service constituted the clearest path to aristocratic status, but, starting in the 9th century, the civil aristocracy was rivalled by an aristocracy of nobility. According to some studies of Byzantine government, 11th-century politics were dominated by competition between the civil and the military aristocracy. During this period, Alexios I undertook important administrative reforms, including the creation of new courtly dignities and offices.[191]
Diplomacy
For more details on this topic, see Byzantine diplomacy.

The embassy of John the Grammarian in 829, between the emperor Theophilos and the Abbasid caliph Al-Ma'mun
After the fall of Rome, the key challenge to the Empire was to maintain a set of relations between itself and its neighbours. When these nations set about forging formal political institutions, they often modelled themselves on Constantinople. Byzantine diplomacy soon managed to draw its neighbours into a network of international and inter-state relations.[192] This network revolved around treaty making, and included the welcoming of the new ruler into the family of kings, and the assimilation of Byzantine social attitudes, values and institutions.[193] Whereas classical writers are fond of making ethical and legal distinctions between peace and war, Byzantines regarded diplomacy as a form of war by other means. For example, a Bulgarian threat could be countered by providing money to the Kievan Rus'.[194]
Diplomacy in the era was understood to have an intelligence-gathering function on top of its pure political function. The Bureau of Barbarians in Constantinople handled matters of protocol and record keeping for any issues related to the "barbarians", and thus had, perhaps, a basic intelligence function itself.[195] John B. Bury believed that the office exercised supervision over all foreigners visiting Constantinople, and that they were under the supervision of the Logothetes tou dromou.[196] While on the surface a protocol office – its main duty was to ensure foreign envoys were properly cared for and received sufficient state funds for their maintenance, and it kept all the official translators – it probably had a security function as well.[197]
Byzantines availed themselves of a number of diplomatic practices. For example, embassies to the capital would often stay on for years. A member of other royal houses would routinely be requested to stay on in Constantinople, not only as a potential hostage, but also as a useful pawn in case political conditions where he came from changed. Another key practice was to overwhelm visitors by sumptuous displays.[192] According to Dimitri Obolensky, the preservation of the ancient civilisation in Europe was due to the skill and resourcefulness of Byzantine diplomacy, which remains one of Byzantium's lasting contributions to the history of Europe.[198]
Language
For more details on this topic, see Medieval Greek.


Left: The Mudil Psalter, the oldest complete psalter in the Coptic language (Coptic Museum, Egypt, Coptic Cairo).
Right: The Joshua Roll, a 10th-century illuminated Greek manuscript probably made in Constantinople (Vatican Library, Rome).
Apart from the Imperial court, administration and military, the primary language used in the eastern Roman provinces even before the decline of the Western Empire was Greek, having been spoken in the region for centuries before Latin.[199] Following Rome's conquest of the east its 'Pax Romana', inclusionist political practices and development of public infrastructure, facilitated the further spreading and entrenchment of Greek language in the east. Indeed early on in the life of the Roman Empire, Greek had become the common language in the Christian Church, the language of scholarship and the arts, and, to a large degree, the lingua franca for trade between provinces and with other nations.[200] The language itself for a time gained a dual nature with the primary spoken language, the constantly developing vernacular Koine (eventually evolving into demotic Greek), existing alongside an older literary language with Koine eventually evolving into the standard dialect.[201]
Administrative usage of Latin persisted until the seventh century, when it was ended by Heraclius. Scholarly Latin would rapidly fall into disuse among the educated classes although the language would continue to be at least a ceremonial part of the Empire's culture for some time.[202] Additionally, Vulgar Latin remained a minority language in the Empire, and among the Thraco-Roman populations it gave birth to the Proto-Romanian language.[203]
Likewise, on the coast of the Adriatic Sea, another neo-Latin vernacular developed, which would later give rise to the Dalmatian language. In the Western Mediterranean provinces temporarily acquired under the reign of emperor Justinian I, Latin (eventually evolving into the various western Romance languages) continued to be used both as a spoken language and the language of scholarship.[204]
Many other languages existed in the multi-ethnic Empire, and some of these were given limited official status in their provinces at various times. Notably, by the beginning of the Middle Ages, Syriac and Aramaic had become more widely used by the educated classes in the far eastern provinces.[205] Similarly Coptic, Armenian, and Georgian became significant among the educated in their provinces,[206] and later foreign contacts made the Slavonic, Vlach, and Arabic languages important in the Empire and its sphere of influence.[207]
Aside from these, since Constantinople was a prime trading center in the Mediterranean region and beyond, virtually every known language of the Middle Ages was spoken in the Empire at some time, even Chinese.[208] As the Empire entered its final decline, the Empire's citizens became more culturally homogeneous and the Greek language became integral to their identity and religion.[209]
Legacy
See also: Third Rome and Greek scholars in the Renaissance

King David in robes of a Byzantine emperor; miniature from the Paris Psalter
Byzantium has been often identified with absolutism, orthodox spirituality, orientalism and exoticism, while the terms "Byzantine" and "Byzantinism" have been used as bywords for decadence, complex bureaucracy, and repression. In the countries of Central and Southeast Europe that exited the Eastern Bloc in the late 1980s and early 1990s, the assessment of Byzantine civilisation and its legacy was strongly negative due to their connection with an alleged "Eastern authoritarianism and autocracy." Both Eastern and Western European authors have often perceived Byzantium as a body of religious, political, and philosophical ideas contrary to those of the West. Even in 19th-century Greece, the focus was mainly on the classical past, while Byzantine tradition had been associated with negative connotations.[210]
This traditional approach towards Byzantium has been partially or wholly disputed and revised by modern studies, which focus on the positive aspects of Byzantine culture and legacy. Averil Cameron regards as undeniable the Byzantine contribution to the formation of the medieval Europe, and both Cameron and Obolensky recognise the major role of Byzantium in shaping Orthodoxy, which in turn occupies a central position in the history and societies of Greece, Bulgaria, Russia, Serbia and other countries.[211] The Byzantines also preserved and copied classical manuscripts, and they are thus regarded as transmitters of the classical knowledge, as important contributors to the modern European civilisation, and as precursors of both the Renaissance humanism and the Slav Orthodox culture.[212]
As the only stable long-term state in Europe during the Middle Ages, Byzantium isolated Western Europe from newly emerging forces to the East. Constantly under attack, it distanced Western Europe from Persians, Arabs, Seljuk Turks, and for a time, the Ottomans. From a different perspective, since the 7th century, the evolution and constant reshaping of the Byzantine state were directly related to the respective progress of Islam.[212]
Following the conquest of Constantinople by the Ottoman Turks in 1453, Sultan Mehmed II took the title "Kaysar-i Rûm" (the Ottoman Turkish equivalent of Caesar of Rome), since he was determined to make the Ottoman Empire the heir of the Eastern Roman Empire.[213] According to Cameron, regarding themselves as "heirs" of Byzantium, the Ottomans preserved important aspects of its tradition, which in turn facilitated an "Orthodox revival" during the post-communist period of the Eastern European states.[212]

About us|Jobs|Help|Disclaimer|Advertising services|Contact us|Sign in|Website map|Search|

GMT+8, 2015-9-11 20:51 , Processed in 0.129290 second(s), 16 queries .

57883.com service for you! X3.1

返回顶部